Guys and Dolls – Strictly limited season at the Savoy Theatre London from 10th December!

15 Jun

To celebrate the announcement that Guys and Dolls will be coming to London the production have released a very special ‘Luck Be a Lady’ animated poster.
The Chichester Festival Theatre revival of Guys and Dolls will transfer to London’s Savoy Theatre on 6 January 2016, following previews from 10 December 2015, for a thirteen week limited run which is booking to 12 March 2016.

So far two cast members have been announced – reprising their roles will be Sophie Thompson as Miss Adelaide and Jamie Parker as Sky Masterson. Clare Foster (Sarah Brown in the Chistester run) has confirmed that she is not returning to the show.

Book your tickets here:

An American in Paris at the Palace Theatre, Broadway – 2nd June 2015

15 Jun

Movie to stage adaption are a common thing in musical theatre these days. Some work well, others don’t. I am open to this kind of show but I admit when I first heard about a stage version of An American in Paris – a ballet / musical version – I was slightly worried. Not because I thought it wouldn’t work but because An American in Paris is one of my all time favourite movies. It’s the movie that sparkled my love for musicals. Gene Kelly singing and dancing was something I could watch again and again without ever being bored. But despite having doubts about this new musical production I obviously had to go see it on my last trip to New York.


After a try out in Paris (where else?) an American in Paris opened on Broadway in April and has quickly become one of the best-selling shows in town. We all know the story of Jerry Mulligan who – after the second world war – decides to stay in Paris and make a living as a painter. In this production the story has been slightly altered to fit the new ballet theme which works quite well. I do prefer the film story but I understand where the changes are coming from.


Robert Fairchild plays Jerry Mulligan with such grace and enthusiasm it’s impossible not to fall for him. If Gene Kelly had been a ballet dancer this is what I think his dancing would have looked like. Robert Fairchild is quite simply a gorgeous dancer and a wonderful actor and singer. Jerry Mulligan’s object of affection, the ballet dancer Lise Dassin (in the movie Lise “just” sold perfume in a shop) is brought to life by the exquisite Leanne Cope who is all around stunning.


Lise is attached to Henri, the heir to a textile fortune who secretly wants to be a nightclub singer. Henri is portrayed by Max von Essen who gives a charming and funny performance and stands out with his exceptional voice. Jerry’s friend Adam Hochberg – an aspiring composer – is played by Brandon Uranowitz and provides some of the best one-liners in the show – dry humour at its best.


The score is breathtakingly beautiful – from “I got rhythm” to “I’ve got beginner’s luck”, “Fidgety feet” and “They can’t take that away from me”. You will find yourself swaying along to the music and the songs will stay in your head for days to come. Combine this with an exceptional ensemble and brilliant choreography and you have a musical theatre dream. This show has everything I love about musical theatre. It’s a classic love story told through song and dance by a cast of performers who ooze charm and obviously love what they are doing.

I haven’t left the theatre that inspired and happy after watching a musical in a long time. An American in Paris will definitely leave you with fidgeting feet.

An American in Paris is playing at the Palace Theatre on Broadway. For more info and to book tickets go to

Help Ryan Molloy bring a 10 year dream alive

16 May

Usually I don’t use this blog to promote Kickstarter campaigns simply because I don’t want anyone to feel like I’m trying to make them spend their hard earned cash.

However, I’m going to make an exception because I think this campaign and the person running it is worth it. I’ve been following Ryan Molloy’s career for the past 7 years and I can honestly say this man is one of the most talented performer I have ever had the pleasure of seeing on stage. He’s probably best known for playing Frankie Valli in the hit musical Jersey Boys in the West End and he recently reprised the role on Broadway to rave reviews.
Apart from being a great theatre performer Ryan is also a gifted songwriter who has released several albums over the years. And now he is working on his latest release: Ryan Molloy’s Suntan, an album of original songs written and performed by Ryan and his band Suntan.


This is where you come in. Ryan is raising funds to complete the studio recordings and launch the album live on stage at a venue in London in August.

I know this is not the first Kickstarter campaign of this kind and obviously we all don’t really have a lot of spare money. I was lucky enough to attend a private Suntan gig in March and I can assure you that if you like Ryan Molloy’s voice or funk music (or both!) this Kickstarter campaign is for you. I am quite picky when it comes to live music – I’m one of those people who usually have a few favourite songs on an album but just as many songs they will skip. Because of that gigs can be very hit and miss for me depending on how many of my personal favourites the artist will play. However, Suntan have managed what very few other bands have: A collection of favourite songs and nothing else. Their music is fresh, funky and quite simply a whole lot of fun.


So, please do yourself and me a favour and check out Ryan’s Kickstarter campaign. Please spread the word and support someone I not only consider a brilliantly talented singer and songwriter but also a great person who deserves every success.

(Plus some of the pledge rewards are just insane and need to be seen – if anyone goes for the spray tan pledge please let me know and I will personally buy you a ticket for the album launch gig when they go on general sale!).

Punchdrunk Enrichment’s Against Captain’s Orders at the National Maritime Museum Greenwich

15 May

For me Punchdrunk are the most exciting theatre company around. Their immersive show The Drowned Man changed the way I look at theatre and it’s completely Punchdrunk’s fault I am spending way more money than I should on return visits to New York lately.

So obviously I had to check out their new theatrical family adventure set at the National Maritime Museum in Greenwich. Against Captain’s Orders is a Punchdrunk Enrichment production aimed at 6-to-12-year-olds. I don’t really fit into that category anymore but lets face it – we all love to let out our inner child now and then.


Without giving too much away I am going to say this about the show: It’s an imaginative, fun and captivating journey into the depths of the museum. Those of you who have seen The Drowned Man will notice some familiar smells. I don’t think I ever mentioned it before but if you like unusual and intriguing fragrances I urge you to check out Demeter or their UK website Library of Fragrance. Punchdrunk use these fragrances in most of their shows and just smelling scents like “Thunderstorm” or “Fireplace” will transport you back into their theatrical world.

Against Captain's Orders

Against Captain’s Orders combines theatre and education as the audience embarks on a hunt for 4 lost objects. Assigned to one of four teams the audience becomes the crew of the MS Adventure. The attention to detail in the set is astonishing – just try and count the number of bottles in one of the rooms, all of which have been hand filled with messages. And make sure you pay attention to any signs you pass on your way. The cast of two does a wonderful job in guiding the audience through the story, always making sure to keep the focus on the kids and encouraging them to get involved.

And Punchdrunk wouldn’t be Punchdrunk if there weren’t a few scary touches, dark corners, creepy music and, of course, a maze. Even though this show is aimed at children it is well worth checking out for adults too. Due to high demand Punchdrunk Keyholders and National Maritime Museum Members can attend an adult only version of the show on Thursday evenings. Personally I’d say this would be the perfect time to start supporting Punchdrunk by becoming a Keyholder especially if you don’t have a child at hand to take along to the regular daytime performances of the show.


I could go on about what exactly happenes at Against Captain’s Orders but there is a reason Punchdrunk like to keep details about their shows to themselves. There is no bigger thrill than going in without knowing what to expect. So I’ll suggest that you do just that. Put on your life jacket, join the crew and go Against Captain’s Orders at the National Maritime Museum.

Against Captain’s Orders is running at the National Maritime Museum in Greenwich until 31st August 2015 with special adult only performances on Thursday evenings. For more info and to book tickets go here:

To find out more about Punchdrunk and their work please visit

Alice Underground at The Vaults – 11th April 2015

17 Apr

For some reason I seem to end up watching Alice in Wonderland based shows a lot lately. From the stunning Then She Fell in New York to Alice: A new musical (a workshop production) to the latest immersive adaption of Lewis Carroll’s popular novel which has just started previews at The Vaults in London.

Alice Underground is a journey into the strange world that is Wonderland with all its unique inhabitants. And even though you meet familiar characters on your way this is not your classic Alice in Wonderland story. According to the show’s artistic director this Wonderland is based 150 years after Alice fell down the rabbit hole. The Queen has banned all nonsense and different factions are fighting.


The audience decides which path to go by choosing “Eat me” or “Drink me” early on in the show. After that there is no more personal choice of where to go which makes this show less free in terms of exploring than for example a Punchdrunk show.
Without spoiling too much I can say that there are 4 different routes you may end up on but after your first choice you can’t influence which of the next two available routes you will be sent on.


You will watch the majority of the show in a group of 14 audience members. Each group wanders from scene to scene, sometimes sharing a scene with another group right up to the huge tea party scene and the final trial. While each scene I encountered had something special and unique some moments definitely stood out for me. A special mention for the mock turtle scene which was haunting and beautiful and – even though there was no interaction involved – really made me feel like I was actually in Wonderland.


The cast work incredibly hard yet they make the whole thing look so easy and while the show must be a logistical nightmare to put on it runs incredibly smooth especially considering I attended the third preview. Yes, there were a few timing issues but these did not take anything away from the overall experience and will surely be sorted once the cast and crew have had time to settle into the show some more.

The set is impressive and Les Enfants Terribles have made the most of the rather small spaces. It never felt cramped even though you do end up walking through some rather narrow corridors.


Be aware that there are pieces of audience interaction, some of which you can’t really choose to avoid (I won’t say more because I don’t want to spoil too much). So if this really isn’t your thing you might want to skip this production. However, if you want to take a unique trip down the rabbit hole and meet Alice and all her wonderful friends in Wonderland then make sure to head to The Vaults and experience Alice Underground.

Alice Underground is booking at The Vaults until 30th August 2015. For more info and to book tickets visit
Please note, there is a children’s version of the show designed for 5 to 10 year olds called Adventures in Wonderland and the Wonderland Sessions (on Mondays only) too.

Tooting Arts Club’s Sweeney Todd – 21st March 2015

25 Mar

I was gutted I missed out on seeing Tooting Arts Club’s Sweeney Todd at Harrington’s Pie and Mash Shop last year. Sweeney Todd is one of my favourite Sondheim shows and the idea of seeing it in an actual pie shop sounded simply fantastic.

So once a transfer to the West End was announced I just had to book tickets despite a rather steep rise in ticket prices. Harrington’s has now found a temporary home on Shaftesbury Avenue, right next to the Queen’s Theatre. You enter through an unimposing door and quickly find yourself in the theatre bar. This is where the magic starts. The whole room has been decorated with old photos and drawings of barber shops and the like. One frame shows the letter Sweeney Todd sends to Judge Turpin, a prop from the original production which has even been signed by Stephen Sondheim himself.


The auditorium is a replica of Harrington’s Pie and Mash Shop. The audience sits on benches which are fitting for the location but are not going to win a comfort award. The biggest issue with this kind of seating is the view though. Even those seats that are not classed as restricted view will require some turning around and leaning in order to catch all of the action.

However, what the show lacks in comfort it makes up in atmosphere. Watching the story unfold around you really is a unique experience. You might find yourself up close with Sweeney Todd or Mrs. Lovett. Or maybe Tobias will use your head to advertise Pirelli’s miracle elixir.


Jeremy Secomb leads the cast as Demon Barber of Fleet Street. His Sweeney Todd is dangerous and full of hate. He sees nothing but his need for revenge. Jeremy Secomb sings the challenging score with ease and is by far the most raging Sweeney I have seen so far. That combined with the small space the show is performed in makes his portrayal intense and gripping. Siobhan McCarthy’s Mrs. Lovett is loud, forceful and at times almost cheerful. She is the perfect counterpart for Jeremy Secomb’s angry Sweeney.

The rest of the cast is strong and works well in this site specific production. Especially Nadim Naaman’s Anthony and Zoe Doano’s Johanna are amongst the best portrayals I have seen of both parts.


One of the things that surprised me the most was the sound. What musical director Benjamin Cox has achieved with just piano, violin and flute is impressive. Those three instruments in combination with eight strong voices definitely do the score justice.

Most murders are pulled off with a sudden burst of red light while Pirelli is strangled in the middle of the audience (literally). The use of red light instead of blood does not make the actions seem less gruesome and brutal and when Sweeney Todd reappears after a murder with blood on his face you can’t help but shiver.

The intimate nature of the performance make key aspects of the story feel even more intense. When Anthony sits next to you yearning for Johanna or Tobias stares straight into your eyes while singing about murder you do experience a deep connection to the characters.

If I could change one thing in this production I would have the performers stay in character when they mingle with the audience before the start of the show and at the end of the interval. Personally I think that would make the whole experience even more gripping and would give the audience a chance to be a part of the world of Sweeney Todd.


But this is no criticism of the show as it stands and I highly recommend you go and check this production out. If you enjoy Sondheim and want to see one of his most famous shows like you’ve never seen it before you have to visit Harrington’s Pie and Mash Shop at its temporary home on Shaftesbury Avenue. And yes, you can get pie and mash there before the start of the show but it needs to be pre-booked so make sure to take that into consideration.

Sweeney Todd at Harrington’s Pie and Mash Shop on Shaftesbury Avenue is running until 30th May 2015. Book your tickets here and make sure to check out the work of Tooting Arts Club.

Missing Unplugged – Queen Elizabeth Hall – 20th March 2015

23 Mar

It took me a while to decide whether I should attempt to write about this show considering I have never seen it like it was meant to be seen. As pointed out to us before the performance Gecko’s Missing is a highly technical show using floating set elements, various props and light effects and in this unplugged version we obviously got none of that. To be fair though we did get a few props which despite having been made last-minute out of things the company could get their hands on really added to the charm of this performance.


Missing production photo

For those of you who have not been following Gecko’s story over the past two weeks here is what happened: On Friday the 13th of March a fire broke out at Battersea Arts Centre destroying the Grand Hall (luckily other parts of the building could be saved). Gecko’s show Missing was in the middle of a two-week run at Battersea Arts Centre and their set, props and costumes were in the Grand Hall when it burned to the ground. Most of these things were handmade and had been developed over years. It was the devastating loss of a show that was scheduled to start touring around the world this year.

Determined to save their show Gecko started a Kickstarter campaign. They reached their fundraising goal of £5.000 in less than a day. Seeing the support and love for their company and the show – not just through Kickstarter but also through various offers of help they received in the days after the fire – Gecko decided they wanted to put on a show.

Missing production photo

Missing production photo

And this is how I found myself inside the Queen Elizabeth Hall just a week after the tragic fire. The free tickets for the event had sold out in a day and the venue was buzzing with excitement. The performance we got to see was simply called Missing Unplugged and it was just that: A bare bones version of Missing with little props, no light changes and lots of improvisation. But what this performance lacked in set and technical finesse it more than made up with talent, skill and the absolute will to not let the spirit of Gecko be broken by what had happened.


Rehearsals for Missing Unplugged

Missing tells the story of Lily, a woman whose soul is in decay and who seems to be trapped in today’s high speed society. She builds up the relationship with her husband in a rush but the pair are like strangers when they are alone, unable to sit together comfortably. She meets an Italian-speaking man (a psychologist maybe?) who helps her figure out what is wrong with her. Lily starts to revisit her childhood in an attempt to revitalize her soul. We see glimpses of the relationship between her parents – her British father and her Spanish mother, a Flamenco dancer. By looking back at her childhood Lily manages to identify what is missing in her presence.

All characters in the show are vocal and while they speak in various European languages it is easy to understand them through their physicality. And for me this is the core beauty of Gecko’s work. Their visual storytelling is one of a kind. Gecko manage to establish characters the audience can identify with even though they don’t understand all that is spoken. A lot of this is due to the wonderfully talented performers who manage to draw you in and take you on a journey.


Gecko on stage at the end of Missing Unplugged

Personally I found this bare version of Missing to be absolutely gripping and beautiful. Since I haven’t seen the full production I cannot compare the two but I can say that I left the Queen Elizabeth Hall full of love for this extraordinary company and their stunning way of telling a story through movement. Missing Unplugged was a truly extraordinary event which showed that in the end it’s not about the fancy sets and props but about real talent and passion.

If you feel like helping Gecko to bring Missing back to life please contribute to their Kickstarter campaign. These guys and girls really are worth supporting.

For more info about Gecko and their work please visit and make sure to follow them on Twitter @GeckoTheatre .

Suntan live at Battersea Park Studios (former Sphere Studios) – 6th March 2015

8 Mar

It’s been more than a year since Ryan Molloy’s sell out gig at the Hippodrome Casino in London. Since then he has finished his 6 years run as Frankie Valli in Jersey Boys in London’s West End and reprised the part to rave reviews on Broadway. In between his fans could catch him playing the hilarious interior designer Horace in Fings ain’t what they used t’be at the Theatre Royal Stratford East.
And now Ryan Molloy is back in London and ready to introduce his fans to his band Suntan.

Suntan are Ryan Molloy (vocals) and Douglas Horner. The band has been around for a while but appearances have been sparse. After recording some new songs Suntan were back on stage at London’s Battersea Park Studios (former Sphere Studios) last Friday. The private gig showed what Suntan are all about: Funky music and great entertainment.

Those of you who only know Ryan through his musical theatre credits might be surprised by Suntan. The band’s music couldn’t be further away from anything you’ve seen and heard Ryan do in musical theatre. Suntan’s music feels fresh and Ryan’s vocals give the songs a certain edge that makes them stand out. And while the band certainly focuses on danceable tunes they also master ballads like the melodic “Watchtower”.

For many people Ryan Molloy is “that guy who played Frankie Valli” which is no surprise considering the amount of time he has spent performing the part in London and New York. So it might come as a shock to some to see him do something so completely different. But personally I feel he is finally back doing what he loves most. Seeing him perform with Douglas Horner, singing all those catchy songs, he seemed to be completely in his element and totally at ease with himself. And that is one reason it is such a joy to watch Suntan on stage. Ryan Molloy and Douglas Horner clearly enjoy what they are doing and they certainly have the talent, the energy and the songwriting skills to match their enthusiasm.

After the intimate showcase at Battersea Park Studios I really hope more people will get the chance to experience Suntan in the near future. I think the world is ready – it’s time to introduce the twist.

Check out some clips of the gig below and make sure to follow Ryan Molloy on Twitter @molloyofficial and Facebook for all the latest info on upcoming appearances.

I’d also like to give a special shout out for the lovely people at Battersea Park Studios who made everyone feel so welcome.



Top Hat (UK Tour) – New Theatre, Oxford

16 Feb

I love classic American dance musicals. I grew up watching Gene Kelly movies and I always adored great dancing. So I don’t really know why it took me so long to check out Top Hat, a show that has been in the West End for a while before embarking on a UK tour last summer.

But no matter how long it has taken me, I’m glad I finally managed to see this wonderful show. Top Hat is pure entertainment, a slightly cheesy but never boring evening out.


The cast is led by Alan Burkitt (Jerry Travers) who sings and dances his way through the story with such ease it is hard to take your eyes off him. He is charming, lovable and cheeky and quite simply a joy to watch.

Charlotte Gooch plays Dale Tremont with grace and elegance. Seeing her and Alan dancing together certainly is worth the ticket price alone.


The two leads are joined by a brilliant supporting cast. Rebecca Thornhill is wonderfully feisty as Madge Hardwick and Sebastien Torkia’s Alberto Beddini is hilariously funny. If only he got to show off his great voice in more than just one song. A special mention goes to John Conroy as Bates who really owns the dry humour in the show.


The star of the show is the choreography. It doesn’t get much better than seeing the whole company dancing to some of the most glorious musical songs ever written. The story may be a little thin and predictable but that doesn’t make it any less enjoyable. In this show the story simply supports the magic of song and dance that come together so perfectly in this timeless classic.

The set – while maybe a little dated by now – fits in with the style of the time and provides the perfect surrounding for this musical experience.


Top Hat is exactly what a musical should be like – it’s funny, heartwarming and entertaining. It has great dancing, songs that stick in your head and a cast that is mesmerising to watch. What can I say? They just don’t make them like this anymore.

You can catch Top Hat on tour until 25th July 2015. For more info and tour dates visit

Instructionally Invited at Vault Festival

10 Feb

How do you review a show that makes no sense, has no proper storyline and leaves you completely confused but is so entertaining and ridiculously hilarious you can’t help but be amazed by what you have just witnessed?

That’s the dilemma I’m facing right now. Instructionally Invited is an immersive piece of performance art – I’m struggling to refer to it as “theatre” – currently on at Vault Festival. Its first run at The Space last summer received mixed reviews and I can see why.


If you are entering this show expecting any kind of narrative you will most likely come out disappointed. With Instructionally Invited Gruff Theatre offer an immersive experience in which you are the guest at a completely mad party. I don’t want to give too much away which is why I won’t go into any more detail.

“So if this show doesn’t even have a plot why should I go see this?” you probably ask yourself now. The answer is simple: Because you will experience and hour of absolute madness and will leave the room with a big smile on your face. “The Beings” as the characters in the show are called are funny, weird, a little gross but always entertaining – a bunch of comical eccentrics. Don’t expect them to make any sense even though they are behaving strictly by the rules – if only we had the slightest idea what these rules were about.


Audience participation is part of this performance and although you won’t be humiliated in front of a crowd you have to be open for some rather strange requests. There are not many shows in which you end up with your ear on another audience member’s shoulder and being required to dress up in a scruffy coat might seem a bit strange too.

Personally I enjoyed Instructionally Invited a lot and judging from the huge smiles I saw on my fellow audience members’ faces I’m guessing so did they. However, I do think this show will only appeal to a rather limited audience. Regular theatre goers might miss an actual story and I can see that a few of the interactive bits will put some people off.

If you enjoy immersive / interactive theatre in general and are open for something smaller and more experimental than all those big scale productions put on by Punchdrunk, Secret Cinema etc. then please go and visit “the Beings” at Vault Festival.

Instructionally Invited is running until 15th February. For more info and to book tickets visit

Find Gruff Theatre Company on Facebook and Twitter @GruffTheatre .


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